Skip to content

Latest commit

 

History

History
61 lines (56 loc) · 5.2 KB

File metadata and controls

61 lines (56 loc) · 5.2 KB

Chords

Comprehensive Three-Note Chord Classification

Chord Name Full Name Notes as Scale Degrees Intervals from Root Description
C Major 1 3 5 0 4 7 The standard major triad. Bright and stable sound.
Cm Minor 1 ♭3 5 0 3 7 The standard minor triad. Darker, more melancholic sound.
Diminished 1 ♭3 ♭5 0 3 6 Contains two minor thirds. Unstable, tense sound.
C+ Augmented 1 3 ♯5 0 4 8 Contains two major thirds. Bright but unstable sound.
Csus2 Suspended 2nd 1 2 5 0 2 7 Neither major nor minor. Open, ambiguous sound.
Csus4 Suspended 4th 1 4 5 0 5 7 Neither major nor minor. Suspenseful sound.
C5 Power Chord 1 5 8 0 7 12 Root, fifth, and octave. Open, powerful sound.
C(no5) Major (no 5th) 1 3 8 0 4 12 Major triad without the fifth. Open sound.
Cm(no5) Minor (no 5th) 1 ♭3 8 0 3 12 Minor triad without the fifth. Open sound.
C(♭5) Flat Five 1 3 ♭5 0 4 6 Major third with diminished fifth. Tense sound.
Cm(♭5) Minor Flat Five 1 ♭3 ♭5 0 3 6 Same as diminished. Listed for completeness.
Cm(♯5) Minor Sharp Five 1 ♭3 ♯5 0 3 8 Minor third with augmented fifth. Exotic sound.
C4 Fourth 1 4 8 0 5 12 Perfect fourth and octave. Open, ambiguous sound.
C2 Second 1 2 8 0 2 12 Major second and octave. Open, ambiguous sound.
C(♭2) Flat Second 1 ♭2 5 0 1 7 Minor second with perfect fifth. Very tense sound.
C(♯4) Sharp Four 1 ♯4 5 0 6 7 Augmented fourth (tritone) with perfect fifth. Tense sound.
Cmaj7(no5) Major 7th (no 5th) 1 3 7 0 4 11 Major third and major seventh. Bright, open sound.
Cm7(no5) Minor 7th (no 5th) 1 ♭3 ♭7 0 3 10 Minor third and minor seventh. Darker, jazzy sound.
C7(no5) Dominant 7th (no 5th) 1 3 ♭7 0 4 10 Major third and minor seventh. Blues/jazz sound.
C6(no5) Major 6th (no 5th) 1 3 6 0 4 9 Major third and major sixth. Bright, jazzy sound.
Cm6(no5) Minor 6th (no 5th) 1 ♭3 6 0 3 9 Minor third and major sixth. Complex, jazzy sound.
C(add4) Add Four 1 3 4 0 4 5 Major triad with added fourth. Bright but tense.
Cm(add4) Minor Add Four 1 ♭3 4 0 3 5 Minor triad with added fourth. Dark but tense.
C(add2) Add Two 1 2 3 0 2 4 Major third with added second. Bright, complex sound.
Cm(add2) Minor Add Two 1 2 ♭3 0 2 3 Minor third with added second. Dark, complex sound.
Cquartal Quartal 1 4 ♭7 0 5 10 Built on perfect fourths. Modern, ambiguous sound.
Cquintal Quintal 1 5 2 0 7 2 Built on perfect fifths. Open, modern sound.
Ctritone Tritone 1 ♯4 ♭7 0 6 10 Contains a tritone and minor seventh. Highly dissonant, unstable sound.

Comprehensive Four-Note Chord Classification

Chord Name Full Name Notes as Scale Degrees Intervals from Root Description
Cmaj7 Major Seventh 1 3 5 7 0 4 7 11 Bright, stable sound. Common in jazz and pop.
C7 Dominant Seventh 1 3 5 ♭7 0 4 7 10 Tense, bluesy sound. Wants to resolve.
Cm7 Minor Seventh 1 ♭3 5 ♭7 0 3 7 10 Softer, jazzier sound than minor triad.
C°7 Fully Diminished Seventh 1 ♭3 ♭5 6 0 3 6 9 Very unstable, symmetric structure.
Cø7 Half-Diminished Seventh 1 ♭3 ♭5 ♭7 0 3 6 10 Darker than minor seventh, common in jazz.
C+7 Augmented Seventh 1 3 ♯5 ♭7 0 4 8 10 Tense, exotic sound. Used in jazz and impressionist music.
Cmaj7(♯5) Major Seventh Sharp Five 1 3 ♯5 7 0 4 8 11 Bright but tense. Used in jazz and fusion.
C6 Major Sixth 1 3 5 6 0 4 7 9 Stable, sweet sound. Common in jazz and pop.
Cm6 Minor Sixth 1 ♭3 5 6 0 3 7 9 Darker than major sixth, common in jazz.
C7sus4 Dominant Seventh Sus4 1 4 5 ♭7 0 5 7 10 Open, unresolved sound. Common in rock and pop.
C9 Dominant Ninth 1 3 5 ♭7 9 0 4 7 10 14 Colorful dominant sound, common in jazz.
Cmaj9 Major Ninth 1 3 5 7 9 0 4 7 11 14 Lush, complex sound. Popular in jazz and R&B.
Cm9 Minor Ninth 1 ♭3 5 ♭7 9 0 3 7 10 14 Rich, mellow sound. Common in jazz and soul.
C7(♭9) Dominant Seven Flat Nine 1 3 5 ♭7 ♭9 0 4 7 10 13 Very tense sound. Used in jazz and fusion.
C7(♯9) Dominant Seven Sharp Nine 1 3 5 ♭7 ♯9 0 4 7 10 15 Hendrix chord. Bluesy, tense sound.
C7(♯11) Dominant Seven Sharp Eleven 1 3 5 ♭7 ♯11 0 4 7 10 18 Lydian dominant sound. Used in jazz.
Cmaj7(♯11) Major Seven Sharp Eleven 1 3 5 7 ♯11 0 4 7 11 18 Lydian sound. Bright and modern.
C7(♭5) Dominant Seven Flat Five 1 3 ♭5 ♭7 0 4 6 10 Very tense, common in jazz as tritone substitute.
Cmaj7(♭5) Major Seven Flat Five 1 3 ♭5 7 0 4 6 11 Unusual, tense major seventh sound.
Cadd9 Add Nine 1 3 5 9 0 4 7 14 Brighter than major, common in pop and rock.
Cmadd9 Minor Add Nine 1 ♭3 5 9 0 3 7 14 Richer than minor, used in various genres.